MICROTONAL MUSIC AND POETRY - INFLUENCED BY THE MUSES
Jonathan Glasier - Gaia Usense / Fortuna Arousa = concepts of utility and direct sensory experience
Arthur Frick - Coco Complexia / Monoca Wilde = concepts of non-utility and direct sensory experience.
Joe Monzo - The Kog Sisters Hypatia Kog / Bruta Kog =concepts of non-utility and the aesthetics of thinking
AntiQuark - Polly Teknica / Rosie Beebright -utility and the aesthetics of thinking.
Ted Washington, Jeffery Doom, Brianna DelGuidice - poetry
Microtonal concert and poetry reading, 2014
CD recording coming soon
“Microtonal Music expands the idea of the scale beyond the rigid 12 tone format in the same way that we are expanding the concept of aesthetics beyond art and into the sciences and beyond.” Jonathan Glasier
There are 8 polyaesthetic muses occupying the 8 octants of the polyaesthetic cube. In this system the muses depicted are positioned at each of the 8 corners of the cube. There are also 4 vertical edges on the cube that connect an upper muse to a lower muse at each edge. There are four microtonal compositions inspired by the 8 Polyaesthetic Muses. Each composition is inspired by an upper muse (mental prowess) and performed by the lower muse (physical prowess) of a particular vertical edge. Each of the nine muses demanded its own poem and when considering both, this concert is an ode to Ahoomooah.
Arthur Frick - Coco Complexia / Monoca Wilde = concepts of non-utility and direct sensory experience.
Joe Monzo - The Kog Sisters Hypatia Kog / Bruta Kog =concepts of non-utility and the aesthetics of thinking
AntiQuark - Polly Teknica / Rosie Beebright -utility and the aesthetics of thinking.
Ted Washington, Jeffery Doom, Brianna DelGuidice - poetry
Microtonal concert and poetry reading, 2014
CD recording coming soon
“Microtonal Music expands the idea of the scale beyond the rigid 12 tone format in the same way that we are expanding the concept of aesthetics beyond art and into the sciences and beyond.” Jonathan Glasier
There are 8 polyaesthetic muses occupying the 8 octants of the polyaesthetic cube. In this system the muses depicted are positioned at each of the 8 corners of the cube. There are also 4 vertical edges on the cube that connect an upper muse to a lower muse at each edge. There are four microtonal compositions inspired by the 8 Polyaesthetic Muses. Each composition is inspired by an upper muse (mental prowess) and performed by the lower muse (physical prowess) of a particular vertical edge. Each of the nine muses demanded its own poem and when considering both, this concert is an ode to Ahoomooah.
